There was the glimmer of possibility in stories of bolt cutters and train yards and spray cans—possibilities of disruption and liberation.
There is freedom that comes with the chaos of Athens, and that freedom is written all over its walls.
In new books, Mann and Kardashian West exploit moments of subjectively felt beauty and power to capture the material world around them—one often, by default, represented through a male eye.
Kim Adams’ Bruegel-Bosch Bus feels like an exploded toy chest—a sculpture set in an old Volkswagen, stuffed with action figures and other nostalgic ephemera. If it seems like Adams—the subject of a new Art Gallery of Hamilton retrospective—is playing ... well, good.
- Page 1
- Next page