The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
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The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
Despite filming her last feature in the '40s, Dorothy Arzner remains Hollywood's most prolific female director—what does that say about Hollywood?
After I was run over by a car, getting mad helped me find my way back to myself.
The author of Witches, Sluts, Feminists: Conjuring the Sex Positive on intersectional feminism, modern-day witchcraft, and defining occulture.
The could-be-true story behind the rumored what-have-we-done-to-deserve-this Vin Diesel/Steve Aoki EDM collaboration.
Both baseball and politics invite delusions of more perfect ways of living—but some fantasies seem more attainable than others.