The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
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The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
The world must appear strange as you peer through our hero’s eyes. Your eyes now.
The author discusses his new book on Merle Oberon, the Golden Age of Hollywood starlet whose South Asian heritage was hidden from the industry.
I had a kind of premonition, even before a word was said, that things were about to shift.
The author of Sucker Punch on surrendering to life's cycles, writing about her divorce, and picking the right fights.
Desire and decision may not line up. Or indecision ends up being its own decision.