When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author of Last Call on writing difficult-to-read books, true crime, and finding queer community in '90s piano bars.
The cartoonist on analogue versus digital art, post-punk rock musician Rowland S. Howard, and his idea for a "Tao of comics."
The author of Lurkers on growing up in Singapore, thought experiments, and falling out of narrative.
The author of Acts of Desperation on labels flattening experience, toxic relationships, and writing through pain.
The author of Like a Boy but Not a Boy on overalls, gender binaries, and Kim Kardashian.
It’s hard to imagine how truly full of dentists Los Algodones is. They are everywhere.