When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author of My Face in the Light on artistic process, phsyical mediums as a foil to writing, and the tension between surface and interior.
The Montréal cartoonist on his debut book The Pursuer, the evolution and influence of comic books, and how a lifelong passion for drawing became a career.
The author of Nightbitch on anger, needy toddlers, and writing as emotional exorcism.
The author of How You Get Famous on Brooklyn drag, RuPaul, and genderfuck.
I’ve always believed that a carefully chosen frame makes for the more appropriate film poster.
There’s something special about the anonymous graffiti artist with his own cult following.