The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
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The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
Scenes from the inauguration of Donald Trump and the Women's March on Washington.
The director of the Oscar-nominated comedy on her interest in role-playing, her love for Andy Kaufman and the fate of a particularly memorable piece of costuming.
Speaking with the director of the Oscar-nominated Life, Animated about representation in documentary film.
Speaking with the author of How to Survive a Plague about the early days of the disease, the unpredictable nihilism of the Trump government, and the evolution of lasting gay love.
How a race riot in New York state inspired a generation to reconsider America's vulnerability to fascism.