The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
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The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
Talking to the author of Greek Mythology: The Gods, Goddesses, and Heroes Handbook about feminist translations of The Odyssey, the whitewashing of ancient Greece, and the link between white supremacy and classics.
The author of And Now I Spill the Family Secrets on contradictory memories, record-keeping, and ways to articulate grief.
The author of Culture Strike: Art and Museums in an Age of Protest on the myth of neutrality, collective culture, amd museums’ responsibility.
