When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author of Culture Strike: Art and Museums in an Age of Protest on the myth of neutrality, collective culture, amd museums’ responsibility.
My name is someone's past and my present and I'm not sure about the future.
Talking to the author of The Renunciations about structuring a book of poetry, living with myths, and caring for yourself and others when writing about trauma.
The author of Oligarchy on teenaged girls, hierarchies within hierarchies, and the great confidence tricks of capitalism.