When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
He was a hero, a man who broke a barrier, but everything that’s happened since he died has way more to do with us than him.
The author of I Hold a Wolf by the Ears on spectral encounters and exorcisms, America’s rejection of history, travel literature, and boxing.
The author of The Ghost in the House on acts of grace, territorial tendencies, and the silver lining in things being temporary.
The author of Death in Her Hands on putting characters in blank spaces, crime solving, and consumption.
The author of Feminist City on intersectional urban planning, care work, and feminist geography.