In the mid 2000s, new programs made it seem like Canada might finally reckon with the toxic legacy of residential schools. Less than 10 years later, they're going broke and forgotten. Sounds familiar.
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The sibling filmmakers on letting a story grow organically, the challenges of representing depression on screen, and finding variances in a repetitive structure.
How the dominance of English affects the ways other cultures see each other.
In Thomas Pynchon's Inherent Vice, everything happens so much. What about those books where nothing happens, and it's fine?
The desire to refresh, recharge, and reinvent ourselves is natural, even healthy—but resolutions tied to objects and tools tend to disappoint us.
In an increasingly fragmented world, the debate around "Je Suis Charlie" reminds us there are reasons to avoid collectivity.
How do you argue with someone who won't stop reminding you that they're going to die?
The acclaimed (and playfully salty) filmmaker on the evolution of style, shooting in digital, and the limits and joys of making period pieces.
The choice he had: between a life of boredom in a displaced persons camp or joining the armed struggle. A dispatch from among the Kachin Independence Army of northern Burma.
Anthropologist Gabriella Coleman wanted to write the definitive story of Anonymous. Her new book explains why that was an impossible goal.
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