In the Mist

Notes on cruising. 

Duke Alvarez: American Mummy Outlaw; or, The Undead Years of Phillipe LaFontaine

The manner of my demise is of little interest, besides serving as our jumping off point.

Playing Records For Lovers: An Interview with Pete Crighton

The author of The Vinyl Diaries on coming of age during the AIDS pandemic, midlife crises, and the music his younger partners recommend. 

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In the Mist

Notes on cruising. 

Duke Alvarez: American Mummy Outlaw; or, The Undead Years of Phillipe LaFontaine

The manner of my demise is of little interest, besides serving as our jumping off point.

Playing Records For Lovers: An Interview with Pete Crighton

The author of The Vinyl Diaries on coming of age during the AIDS pandemic, midlife crises, and the music his younger partners recommend. 

Frequency Illusion

Love was not a drink, and my pursuit of it did not fit perfectly into the rubric of addiction, but it had taken me.

Party in Hell

Unlike the many high profile hip-hop figures who have fallen from grace due to their misdeeds in recent years, Playboi Carti's misconduct shows no signs of slowing down his ascent.

Sacrifice

An eccentric monk’s singular scrap cathedral reveals the chaos and genius of his mind.

Every Letter a Path

My name is someone's past and my present and I'm not sure about the future. 

'I Would Not Ever Give Anyone the Raw Experience': An Interview with Donika Kelly

Talking to the author of The Renunciations about structuring a book of poetry, living with myths, and caring for yourself and others when writing about trauma. 

'Part of Being Young is How Much You Notice': An Interview with Scarlett Thomas

The author of Oligarchy on teenaged girls, hierarchies within hierarchies, and the great confidence tricks of capitalism. 

‘There’s No Public Health Without a Public’: An Interview with Geoff Manaugh and Nicola Twilley

The authors of Until Proven Safe on the ongoing pandemic, the history of quarantine, and our existential precarity.

Digitizing Maxi Cohen's Legacy

What does it take to preserve an independent filmmaker's oeuvre?