When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author of The Man Who Saw Everything on modernist structure, novelistic characters, and David Lynch.
The author of The Topeka School on finishing a trilogy, maternal linguistic influence, and psychology.
Talking to the editors of We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan about trans representation, the process of editing private writing, and why history is gay.
In the middle of the night, the train makes one of many stops in a small town whose name appears written in a dream alphabet.
The co-author of The Beautiful Ones on writing after Prince's death, searching through his archives, and meeting your heroes.
The world left their art behind, until a young man found a series of photographs blowing along a street in Spain.