How the classic ballet has changed—and been changed by—the history of Russia.
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On the visual language of American Sniper, '71, The Hurt Locker, and Saving Private Ryan.
A weeklong trip filled with deep-fried shore meals does funny things to a man’s insides. When you have to clean up the grisly aftermath, all you can do is laugh.
The director and star of Jauja on their strange and dreamlike new film, the importance of props, and the happy accidents of filmmaking.
In the notoriously sexist and gossipy restaurant industry, "bosses" become "bitches" far too easily.
On Dennis Hopper's disavowed art-crime failure Backtrack, a film combining the work of Jenny Holzer, Jodie Foster as a glam-rock Patty Hearst, and Bob Dylan in a hardhat.
On preserving and celebrating the present, from Meerkat to Knausgaard, one fresh crisis after another for all eternity.
Growing up, my mother's fearlessness let me pretend I was brave. But as she's grown more anxious, I feel the power of her protection lift.
A person’s right to die means the beginning of some difficult conversations. Here, a doctor on what patients, families, and physicians need to talk about.
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