Readings

Anyone who’s lived long enough to learn to feed themselves likely has some kind of biographical dish.

Whose clock are you on? The author of Saving Time discusses actors versus automatons, and existing between the margins of the “unforgiving timetable world.”

It was a piece of currency so large it seemed unimaginable anyone would try to steal it. But that was part of the appeal.

Tár holds back too much to work as a commentary on cancel culture, and isn't elusive enough to succeed as a work of art. 

The author of All the Beauty in the World on creating a personal map of meaning during his time as a guard at New York’s Metropolitan Museum.

Announcing some exciting changes at Hazlitt.net. 

On the most iconic image in romance novel history. 

When my husband suffered a stroke, I was determined that this was not going to be the thing that unwound our love.

Why the producer's “do-nothing” approach means everything.